Break the theme keywords into giant hollow single-line glyphs and directional strokes; the lines span the entire frame and interweave in front of and behind the main form, with the interior of the glyphs kept transparent so the background and subject remain visible. The lines use uniform thickness, right-angle turns, long arcs, arrow endpoints, and dot nodes, forming a reading path from the title at the top to the central subject and down to the bottom information zone—both text and route map at once. A small amount of body copy in a clean sans-serif font is split into short phrase blocks, placed near the negative space of the big letters or on either side of the subject, with clear hierarchy; small info marks and a signature can go at the bottom, all text serving rhythm and scale without stealing focus from the main form. Text this time: 我本将心向明月